Exhibitions

 

2017
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“Grasslands”.
1375 Calle del Magazen – Dorsoduro, Venezia, Italy.

September 2nd/17th 2017.

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2016
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Arte Genova Fair.
February 12th/15th 2016, 11 am – 8 pm.
Piazzale John Fitzgerald Kennedy , 1 ,Genova, Italy.
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2015
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17 Tokyo Postcards, Paintings on Postcards Exhibition.
September 2 nd – September 17 th  2015.
Wish Less Gallery, 5-12-10 Tabata Kita-Ku, Tokyo.
After my last trip to Tokyo I began an art project titled “17 Tokyo Postcards”
I made the art work in response to the feeling Japanese society gives me: an incredible respect for “the formal”.I stuck pieces of cropped Manga (and it’s conventional symbols) to Japanese blank post office postcards, after that I wanted to make it “free” switching it to informal images using my pictorial signs.
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2015
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Fōmu-go, Paintings Exhibition.
August 21 – September 13 2015.
Vernissage Friday August 21 – 6 pm.
Galleria Civica d’Arte Contemporanea,
Via Emile Chanoux, Saint-Vincent, Aosta, Italy.
“Actually, there is a natural and substantial intolerance towards staying whitin perranged schemes, inside forms.Actually, there is a natural and essential inclination towards the quest for portions of reasonable unreality, which give us back the right to think of “Other”. So, I think of floating images full of pauses and transparencies, made of rapid and spontaneous actions. With a childish wonder, I recover images I didn’t even know they existed inside of me.”
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  2014
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Between (A)lbenga And (B)orghetto, Photography Exhibition.
2014 October 31 – November 9.
Vernissage Friday October 31 – 6 pm.
Ex Chiesa Santa Maria Ausiliatrice,
Fondamenta San Gioachin, Castello 450, Venice, Italy.
Vaporetto Linea (1), (41), (51) Giardini/Arsenale.
“I will try to get this down loud and clear: I like to speak about this undefined space between (A) and (B) , I have talked about it, I have read about it in the past year. I have shot digital pictures, people say shooting film makes a better photographer. Then heater masterpiece or a triviality is written with a pen or with a computer. I wanted to know what lays in between (A) and (B), I have lived an experience. I played with elements of reality and mixed them as I liked the most, I achieved something. They are not collages. They are pictures. In images I prefer partial elements non-orthogonal, I cut them out from the framing, I move them, sometimes an energy springs from this. A sense broader than the usual arises from this process, where the space of indecision and vagueness can get another value, I’m curious. I try to understand, I often lose myself. At the seaside you feel well especially in June and September.” 
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All rights reserved © Davide Lantermoz 2017.
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